Molly McCully Brown & Susannah Nevison
Dear Maker,
My body keeps happening
despite my insistence
otherwise: so I repeat myself:
I’ll tell you how: I start
at the beginning then end
at the beginning: you were there
in all this, or are
there: my mother who
carries me until winter: is there:
was there and it is cold
when I arrived and the fact
of me was small: and I arrive
again at the beginning
and there we are: and here
keeps happening and when
my mother looks at me
I’m sure I happen differently:
each time I arrive: is a body
my body keeps:
Dear Maker,
I’d say the problem isn’t the story
or that I’m in it, or that I resist the ways
I’m drawn. It’s always been gravity and matter
and the planet’s relentless pull.
I resent the game. I don’t want a seat at the table.
I don’t want a table either if it means everything
here is pinned down by its own weight. I’d say
the problem is I haven’t been sold on the ground
beneath me. Nobody told me the view
is much better from space. When the planet becomes
just another raised fist in the distance, I don’t mind.
Though I’m poorly drawn, I still raise mine.
Dear Maker,
Even if it’s true that my body’s
just a transitory letter, a note
you sent, a piece of paper
covered with your writing,
I’d like to know what it is
you meant, if I could mean
something other than what
all lost letters mean: a gesture
no one sees, what all good
storms erase. I’d like to be
read out loud in a voice
that’s all my own. I’d
like to be read with gusto.
Where your writing trails off,
I’d like to see my failed
hand start: Dear Maker, Dear
Other, Dear Lost One, Dear
Me—do you see them coming?
Can you make them out,
those clouds shaped like envelopes,
the way they fold themselves
to keep their contents close?
Dear Maker,
It snows in this strange city.
I’m bewildered by the white,
the way it makes one perfect
creature of the place, one body
built up soundless overnight,
then blown to pieces by the wind,
and how I barrel into it— my body
as unsubtle here as anywhere.
I distrust the weather in my
body—there’s a sudden, shallow
warmth before tornadoes whistle
damage down—before my body
had these seams there had to be
a shattering I don’t remember, you’d have
had to turn your face
away from all the shards.
Molly McCully Brown is the author of the poetry collection The Virginia State Colony for Epileptics and Feebleminded (Persea Books, 2017) and a forthcoming collection of essays, Places I’ve Taken My Body. With Susannah Nevison, she is also the co-author of the collection In the Field Between Us (forthcoming from Persea Books, 2020). She teaches at Kenyon College.
Susannah Nevison is the author of two collections of poetry, Lethal Theater (Ohio State University Press, 2019) and Teratology (Persea Books, 2015). With Molly McCully Brown, she is also the co-author of the collection In the Field Between Us (forthcoming from Persea Books, 2020). She teaches at Sweet Briar College.