Caleb A.P. Parker
Minor Confessions
We came home to hordes of docile houseflies glazed
and quivering on our West Side duplex window sills.
It was the day a fellow carrier had died.
We hadn’t known her well, and well,
the flies. We killed them all. We sprayed them with Lysol,
with 409. Dusk, I broke into the Peanut Factory Lofts
and swam short laps in their short pool.
It didn’t help me cry. A dead train
blocked the tracks on the walk back home.
It would be another lie to say there was an open car,
to say: if there’d been an open car,
I would have longed to crawl inside.
*
I’ve been noticing more flies these days,
these daily visits from two or three
who make landfall on my wrists, my knees, my eyebrows,
like now, as I try to tune this borrowed hollowbody.
I couldn’t tell you if I truly have this fear: that Baal-Zebub,
or maybe a lesser one, has gained a foothold in my ribcage
or my soul, that this fly here—legs against my knuckle
like a lover’s eyelashes—could have hatched from within.
Please don’t tell it what I’ve done.
Baal was just the Ugaritic word for lord. And Zebub, it’s thought, a play
on the original Zebul, a way to call the Canaanite’s god a bunch of dung.
Mourning, I’ve learned now, attracts all kinds of flies.
I was one myself that night, back from the pool,
the coupler hopped, guitar a shovel, the song
that transfigured or fabricated her into a sister.
Caleb A.P. Parker is a writer, cartoonist, and musician from the industrialized Texas Gulf Coast. He is the Martha Meier Renk Graduate Fellow at the University of Wisconsin–Madison.