Colin Bailes
Winter
Lately, the mornings
are no longer numinous—
but today:
two pileated woodpeckers
outlined against
the magnolia trunk,
their black silhouette
and red-feathered
crowns framed in morning motes.
Their caterwauling resonated
through the yard,
penetrated the sunroom—
the whole trunk
aflame in sunlight.
*
An antique from Maman,
my mother’s grandmother, the wooden letterpress drawer
hangs on the wall
in my parents’ living room, tiny display boxes
filled with miniatures—
a baguette, thumb-sized, wrapped in wax paper
next to a milk bottle
with riveted top, dried seahorses,
a bobbin and thimble, pewter angels,
whelk and cowrie shells,
a wooden rocking horse, and a Delft-blue water pitcher.
Rusted over, the nails joining the compartments
are otherwise pristine, still perform
their intended purpose. They will outlive us.
*
All around me
I watched the world change—
strands of bald cypress
breaking into sky, leaves turning,
exposing chalk-white trunks, twisted twigs,
a silver matrix of branches.
Above the treeline:
a band of blue,
welter of clouds, white-washed
and churning,
low on the horizon.
*
Visiting our grandparents
one Christmas in northern Louisiana,
my brother and I tried,
beneath a maple tree
in their front yard,
to catch fireflies in our hands.
Our first time
ever seeing them, the bugs
flashed in one place
as we reached out to grasp them
then disappeared, reappearing
a few feet away
only to vanish again.
*
During the last months
of my grandfather’s life he refused,
either from stubbornness
or weakness, to leave his recliner.
He took to urinating
in glass mason jars. My father, tending
after him, would take
into his hands
each jar and empty
the contents into the toilet.
When I visit my father now,
I notice his hair shot with silver, his hands
covered in liver spots,
the yellowing of his toenails—
how his appearance
alters with each meeting.
*
In spring, the tree repeats itself—
form destroyed only to be restored.
Our lives are never cyclical.
We follow one path, beginning and end—a bead
dragged in one direction along a string.
Colin Bailes holds an MFA from Virginia Commonwealth University, where he served as the 2020–2021 Levis Reading Prize Fellow and was awarded the Catherine and Joan Byrne Poetry Prize from the Academy of American Poets. A 2022 National Poetry Series finalist, his poems have appeared or are forthcoming in Best New Poets 2022, Blackbird, The Cortland Review, Missouri Review, Narrative, Nashville Review, Raleigh Review, Subtropics, and wildness, among other journals. He lives and teaches in Richmond, Virginia.