Cate Lycurgus
What I Mean Now, When I Say Ever Since
after is never guaranteed: take every chance
to scrunch, tight, the hair at his nape of neck.
To fret your fingers, to press them across
stark knobs of her back. This might be
the final morning to slake the faint star tattooed
into his softest crease of crotch, before proximity’s
gone. It’s light, so criss-cross these city blocks,
to the side where you stride inside it. Pocket a square
of breakfast chocolate to summon her daily
goodbye-taste when you race away two ways, out
of sync—turn it syncopation, please—trace
each other’s worn-out puns, regular as dirty
foam, streaking its stretch of beach. Covet
strolling an arms’ length from one who makes you
revise each day more & more toward good.
Edit the car not-starting; the woman he calls
dear heart in earshot; all school debt; a double-
mastectomy; the first child who would not
come; the second who came but won’t speak.
A nectarine is plum & peach: stone fruits crossed
to unparalleled meat—if I could mean one thing
I mean: don’t wait to sink the teeth. We cannot
pass on any song for dancing, nor radio
static to swerve the truck through a hilled
bleed of poppies, with no lock on tomorrow &
how hackly serpentine fractures. So many ways
to break, be broken. Even tonight I swear it’s bold
to hope for ever more ravishing days—the body,
its want—to continue beyond—this one, than this
one, than this
As Eraser
At the corners I was coming
apart. Others had hardly
started to notice, how one minute I was
alongside; the next, peeling
off. Not for no reason, with how dark
our horizon had become &
at the margins, smut. I tried to set
history right, but soon fell un-
composed. #2, off-script, lack-luster,
my every gesture a smear. Who
doesn’t take on some residue
of what she aims to undo? Not
get carried away? You up-end
thinking you can refuse to make
a mark, but here’s the rub: complete
vanish is magic is harder than not
being than never having been at all
—with prints left every place
I ever laid me down to sleep:
in concrete on a childhood stoop,
or half-moon divets as I fled,
heels leaving what I would/not
say—for milk teeth knock in mamma’s
tin & my bite surfaced
from beneath. Pink, the new page breaks
each morning—so if raw, if you
cannot take anymore or brush
yourself off; if swept away, if
sweep is the only motion left
for you to make, make it, dis-
solve something, be opposite of
mistake
Same Year
It may always be this way:
the end appears, sudden. From
fernfrond, out of viscous light
you never thought you would
outstrip, where choked
madrones shed themselves
unto a greening dark. Which cannot
hide the mix of live
& auburn leaves on each redwood’s
limbs—we want to believe
nothing hangs on: the old leaf drops
from the table, crumbs fall & we can
pass fresh cream, reach
the sweetener easily
across the span of who we were,
who we hope to be—but never
wake as all new people,
just do not, one day. & always
in the same old wood: duplicate noon,
after-, moon, dozens find you
right where you started on this out
& back trail now become a loop, a ring
thickening round the heart-
wood, dead, so if you are
this lap, if you have no new
resolve, Love—breathe because
of fog
Cate Lycurgus's poetry has appeared or is forthcoming in American Poetry Review, Tin House, Orion, and elsewhere. A 2014 Ruth Lilly Fellowship Finalist, she has also received scholarships from Bread Loaf and Sewanee Writers’ Conferences and was named one of Narrative’s 30 Under 30 Featured Writers. Cate lives south of San Francisco, California, where she conducts interviews for 32 Poems and teaches professional writing.