Heather Derr-Smith
Uxor Pilate
I want no country, least of all
this one. Gather in the fields
our wastes of imaginings, signs
and wonders. Subtract us from
our birthplace, gape, opening:
O, birthpang and cry of origin,
thousands of waves on the face
of the lake. Where does a story
of a nation end? Revenge,
a war horse reared back. O
I will kill my own countrymen;
I will kill my own kin. Have nothing
to do with that innocent man, Woman,
nameless, said. I saw it in a dream,
blood on all our hands.
*
Not very long ago, there was a time before hours.
Inauguration
There were, for some of us, new weapons,
tools we found lying on the ground. Once we
came in from the garden and put away our dirty gloves
a fire blazed in the copper pots and suddenly we knew
we could kill him, a king on his throne, thick with flesh.
It was as if all along the pacifists in us had been forging
secret cells, and the message passed through us
all at once, Every war already carries within it
the war that will answer it get the clubs, collect
the blades, or looking at our hands for the first time,
fingers outstretched, we realized it could be done bare-handed,
yanking by the hair, strangle his neck, or most American
of all, true to our constitution, aim the barrel for the back
of his head, the simplest thing we could manifest, a small labor
like digging up the earth and coaxing the tomatoes to grow,
like widening a pelvis to push our children into the light and arms
Of a country of love. We could kill just as easily, we promised.
We sharpen our knives and now that we know,
we will never forget what it felt like.
Portrait of a Courtesan
Through the door of the surgery theater
I grew tall as a pine walked like God
walking through the tops of the trees
bathed in light ringed by blue- gowned hosts
I cut off my breasts with a butcher knife
Jesus said when they ask for your cloak give
your undergarments too smell of baking bread
in ovens sourdough starter that multiplies
and never ends yeast and stars and stem cells
mothers milk on her blouse smile at the doctor
one last act of compliance morning blood soaked
the gauze mortared it stiff once upon a time was
a courtesan and her name was Filide Melandroni
Caravaggio was her pimp location: destroyed
look at us girls made in our own image we
are the lost history of the world
Heather Derr-Smith is a graduate of the Iowa Writers’ Workshop and a poet with four books, Each End of the World (Main Street Rag Press, 2005), The Bride Minaret (University of Akron Press, 2008), Tongue Screw (Spark Wheel Press, 2016), and Thrust, winner of the Lexi Rudnitsky/Editor's Choice Award (Persea Books, 2017). She is managing director of Cuvaj Se/Take Care, a nonprofit supporting writers in conflict zones and post-conflict zones and communities affected by trauma. She divides her time mostly between Des Moines, Iowa and Sarajevo, Bosnia.