Carl Phillips
He Didn’t Raise Hand or Voice
Maybe so. Or maybe it’s only memory, in the end, that turns
some men into flags – anything from ownership to conquest
to Here I stopped to rest, once, but I couldn’t stay – while
others, years later, past the otherwise
mistake of them,
become reliable compasses we still half hold on to, their
bodies a forest when seen from the air in a small plane,
so that it’s possible to get close enough to see where the oaks
give way to poplar trees, or where, if you follow the pines
far enough, they open out to a field across which you can see
the ocean, we couldn’t have found our way here
without them:
in which case, where lies mistake, at this point, and where
revision? Last night, a friend asked if I could say, even roughly,
how many men I’ve ever slept with; and when, unable to,
I panicked, he assured me my situation is not uncommon.
Tonight I’m not
so sure. The lord gives to each of us only what
we can bear, says my father, during the weekly phone call
where I practice limiting myself to a single drink – one way,
I guess, of maybe keeping my hand in when it comes
to restraint. For once, I don’t push back at him, his faith;
if I can give him
that much, why shouldn’t I? If I say the giving
feels, impossibly, just before I let go of it, almost like love, that’s
all I’m saying. It happened; and now it’s over. They moved
together in groups, and singly. They moved among the trees
as among the parts of a language they’d forgotten they knew.
Carl Phillips is the author of 15 books of poetry, most recently Pale Colors in a Tall Field (FSG, 2020). He teaches at Washington University in Saint Louis.