Ashley Keyser
Don Juan Astray
A man’s empty hands
means he’s somebody.
Baggage
is for daddies who lumber
froswy through a world
shrunk to
tinny singalongs,
bridge and a mortgage.
Unencumbered, I lope
like this room is my room.
Any arrival, an arrival
to my native country.
I carry on nothing
but a twenty-something
nuzzling my collar
(starched, bespoke). Why
belabor it? I speak
without thinking
and sound sure.
I stray, but never get lost,
because my couture
is a map: Irish linen,
Indian muslin. GPS
won’t leave me spurned
(what the bitter wallflowers
call Golden
Pussy Syndrome).
All my roads lead
down loosening thighs
to hot, marshy Rome.
Under my Oxfords’
polished leather, clouds
froth up champagne weather.
Another for my friend here.
Toast the baubles I bought her,
and the ecstatic career
of bubbles that color
our plastic flutes in a prism,
then leave us
with only a jismy residue
and on her tongue,
sweetness.
Is it a crime
if she’s an accessory I’ll
trade for a brunette to offset
my hair’s lighter notes?
No pretty lily will graft
to the root of me.
When the heartwood’s
not got much heart,
how light it floats.
Don Juan in Winter
Your wish and your question
swim in the mirror
of my quicksilver smile.
I’m so familiar,
I feel closer than family,
as if we have watched
each other grow up
between garret windows
in The Snow Queen.
What would you like to hear?
Compliments
blurted and tender?
A double-entendre
ribboning scents
of wax and cigar smoke,
or a modern,
voluptuous self-loathing
to show I’m woke?
My performance glows
but I can’t fake a fire, burning
with outbreak, not ardor.
I’ve been the man
who catches the magic fox
in his arms: Charm,
its copper and smirk,
but I go pruritic, prurient.
Herpes simplex lurks.
Do you know how many
ghost partners you have? a poster
in the waiting room inquires.
Ripples of desires skipped
and sunk. Ten beddings
(illustrated via stick figure)
= ghosts in thousands.
Like snow bees or dander,
my (million?!) ghost partners
flutter and swoon
if I reach to unfasten
their diaphanous robes.
Stung into modesty
by my polar vortex touch,
they vanish in ether
with my stuttering sexts.
Come here,
I want to make you cry
into my fuck-me eyes
to flush
the ice out.
Don Juan in Hell
A man of stone
clanking in chainmail
lugs the end of my story,
clasps me in a grip
which freezes and burns
like a lick
of February metal
while a hellmouth opens
to digest me, impenitent.
Not to say sorry
for decadent
appetites several lifetimes
would take to exhaust,
not to renounce
my plucking and gorging
is an act of courage.
But then, I got used
to not saying sorry.
Strength comes so easy,
it has settled like tetanus
into this lantern jaw
no one ever pried
an apology out of,
my apogee
flung too far. In my wake:
rusty penumbrae
of sloshed tumblers
eating into the finish,
unmade tumbled-in sheets,
trysts and divorces.
I drained the earth
of its resources,
grew worn and worse.
Could I have a universe
to scorch through? Wept:
No more girls to conquer.
If you saw me hand
in hand with the statue,
you might mistake one
for the other, wonder
why our chiseled gleam
smacks of the valley
of uncanny beauties,
thread green by serpentine
grains in place of veins.
No brimstone will thaw me.
My hell’s sunk in drizzle,
an undecided climate
where we errant lechers
stumble in a stupor, no one
to seduce but us.
If I’ve hardened,
let me come back again
as flint
or even the sparks
appearing as you squint
at climax’s relief.
Let me be
your brief
and dazzling crown.
Ashley Keyser is a queer poet based in Chicago. A graduate of the University of Florida’s MFA program, she also served with Peace Corps in Ukraine. Her work has appeared in Pleiades, Copper Nickel, Best New Poets, and elsewhere.